This video isn't as good as when Val is the director and camera woman, but she is really busy with ukelele stuff--and few states away. But I see here next week!
Then the instrument had to be intonated. What I had to do is take the height that the saddle should be, and make a replica saddle out of a bone shim and wire. This way the two can be moved around to find the place where the open string and seventh fret are at the same note. This is a wonderful puzzle, but it does take quite a bit of patience and exactitude. So I got the saddle set for that, and had to mark the fretboard, where I had to cut the slot for the saddle.

So this wasn't nerve wracking at all. But I got id done and right.

So the nut was in his new home, and I only had to file it down a bit and cut the slots. Then I restrung it, tuned it up, and made the video!
But first...
Dwain had an appointment and had to leave early, so I worked a bit on my own, which was nice and necessary for my growth.
Right before Dwain left I started working on the tail block again. I had one side carved down, and I wanted to get the other to that point. I really like carving, and Dwain says I'm doing a good job on it. So I have high hopes for the scroll on the peg head.He gave me some final instructions for installing the saddle, and I finished that. Then finished stringing and tuning the first one, and played and was in joy and am pleased.
The sun was shining brightly and it was in the high 70s; it was gorgeous today. So I decided I'd go sit in the garden, but the neighbor is sanding his doors, and that buzz is too loud. So I sat on the porch and basked in the beautiful weather.
I cheated. I'm not reading your blog until breakfast (it's a tradition), but I had to watch the video! Your dulcimer is amazing. It's deep and rich and I am so proud of you. I love you so much. xox
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ReplyDeleteControl, as you rightly say, is important. To build at the highest level, you need to be in total control of your materials, tools and methods.
ReplyDeleteAnd yet, that is merely the basis of this work, as it is with all art. Beyond control is letting go, flowing with the material, bringing one's intuition into play. That's when entirely new things happen, transcending control yet using it, grounded in it.
This is really going well...